Manipulation and Prejudice in Othello Essay

The tragic bring Othello, written by William Shakespeargon, is one where the direct impact of groundworks much(prenominal) as green-eyed monster, prejudice, and manipulation produce about the downfall of the protagonist Othello, a moor who is both a successful military leader in the city of Venice and the lover of the seraphic Desdemona. The Antagonist, Iago, weaves webs of deceit and denigrations on almost all of the characters and is portrayed as the marionette master, controlling the characters to his own remainder. The imaginativeness associated with the central theme of jealousy alludes destructive, howling(a) and perhaps unnatural qualities of this emotion.It is the green-eyed monster, which doth mock / the meat it feeds on. there is a strong sense of devouring and being devoured in these images, which fits in with Iagos description of Othello as being eaten up with passion. These lines suggest the exact quality of Othellos monumental jealousy once he becomes convinc ed that his wife is unfaithful, his jealousy does indeed feed on itself, wind the protagonist to become dehumanised and animalistic. Jealousy is also deeply mortifying in Othello Iago is correct when he says that it is a passion most unsuiting such a man.There atomic number 18 three fashion models of jealousy that are explored by Shakespeare in Othello. Iagos personal and professional jealousy, which is linked to feelings of enviousness and sets events in motion. This is demonstrated through the use of soliloquy where Iago expresses his hate and jealousy of Cassio when he was given a position that Iago thought he should flummox gained. The use of soliloquy adds dramatic tension as Iago expresses his motive for retaliate to the audience before enacting out his plans on the unsuspecting characters.The second workout is of Biancas suspicions, which help Iago with his manipulation of the Othello adding to the dramatic tension and the third example of jealousy is of the Moors towe ring jealousy. Othellos character arc is somewhat depended on his feelings of jealousy when he assumes his wife Desdemona is a strumpet. The language that is apply by Othello at the start of the play is in blank verse, unrimed iambic pentameter. This structuring of the dialogue characterises Othello as educated, dignified and authoritative.However, this is juxtaposed at the end of the play where there is little to no structure in Othellos dialogue, often composed of short outbursts, characterises the protagonist as animistic, unhinged and weak. The theme of prejudice is also prominent in the play Othello. The cultural dispute in the midst of the Moor and the general white Venetians serves as an impetus for appointment between the characters. The first instance of racial prejudice almost opens the play in Act 1 Scene 1 with the dialogue between Iago and Brabantio, even now, an old shocking ram is tupping your white ewe.The animal imagery Iago employs when speaking of Desdemonas copulation with Othello is firstly highlighting the racial digression between both Othello and Desdemona and secondly, relating interracial relationships as animalistic through dehumanising imagery. umteen of the references to Othello in regards to his colour and creed are typically negative, though are undermined because the audience understands the motives of both Iago and Roderigo.He is also described as neutral and thick lips, which help to construct a negative characterisation of Othello. So far as dislocation is concerned, an aspect of the tragedy comes about because Othello is characterised as an outsider, he is in an weak position of being a black man in a white society. This dislocation is furthered through the marrying of a white woman and through holding a high positioned regularize in the military. This is one of the reasons that Othello is subject to manipulation by Iago on racial grounds, and on Rodrigos racist ideology.